Filed under: Uncategorized | Tags: 50D, 5D, Canon 50D, Canon 5D, engadget, Nikon D700, rumors, rumours
Bah, we all know that we want the low down on a 5D mark2 of full frame goodness! (Only because I want the low down on Canon’s next full frame sensor
). Canon know how to annoy their followers, those who bought the 40D could feel bummed about an update coming out already and the legion of Canon fans want their Nikon D700 nemesis announced!
Instead we get nothing. Canon are playing their cards close to their chest and I guess Photokina is when they are going to release something about it. Notice the lack of plausible rumours for a 5D mk2? The 50D rumours have been flying around for a while and they were pretty spot on. Yet nothing, not a whisper for the 5D replacement. Scary.
At least we know the specs of the 5D mk2 are going to be higher than the 50D.
Filed under: Photography Links, photography | Tags: 100 metres, 200 metres, 2008, Beijing, blog, Bolt, China, Gold, Guardian Newspaper, Harbin Ice Festival, Independent Newspaper, Newsweek, Olympic, Olympics, photography, Usain Bolt
I tried to watched as much of these 2008 Olympics as possible. I use to live in China and have a natural affinity, love and respect for the Chinese. I had wanted to travel there this year to photograph the Harbin Ice Festival but travel was probably going to be too expensive for me. Instead I’m making plans to go to Cuba instead.
Anyway, here are various links that show some of the more memorable moments at the Beijing 2008 Olympics:
- Photograph by Vincent Laforet for NEWSWEEK
- Photograph by Donald Miralle for NEWSWEEK
- Photography by Mike Powell for NEWSWEEK
Filed under: Opinion | Tags: Bresson, Bresson Henri Cartier, google, Magnum, photography, photojournalism, signature, VIIPhoto Agency, why
As a student of photography, I’ve put myself in a position where I want to learn about the photographic practice. I’ll go to libraries, attend lectures, read publications and go online and mingle digitally with fellow enthusiasts on flickr or in online discussion forums. I’m in that position as a student where I’m supposed to question everything so that I am constantly trying to improve my photography to become a better photographer.
But there is one question which I’ve asked twice online now (this’ll be the third time) because I am genuinely curious to understand why people sign their photographs when displaying them. I haven’t asked my lecturers funnily enough but I will now once the new year starts.
My question is this… Why do photographers sign their photographs (so it relates to online photography you see)? I see it online nearly everywhere in discussion forums and frequently on flickr or some other photo sharing website. I’ve stopped and thought about it and wouldn’t do it myself. Can anybody convince me otherwise.
I see no point in it other than to pimp ones own identity online. It’s there as a bragging right surely?
Am I being unfair or shortsighted in my opinion? Maybe but here’s why. How come I’ve never seen a professional photographer do it? Henri Cartier Bresson never did but we all know instantly that the image below is his.
Why didn’t he put his initials in the bottom right corner? He was our pioneer in photojournalism when it was still in its infancy, shouldn’t he have signed like any great artist?
As far as I can tell nobody from Magnum or VIIPhoto agency do it either unless its a deliberate watermark, stamped across their imagery so as nobody could crop the image and reuse it without attributing it first. Even then it is in the agencies name, not the photographers.
So if the professional, famous and genre defining photographers don’t do it. Why do the amateurs or anybody who doesn’t fit into the molds I’ve mentioned in the last two sentences, why do I see so many photos online with a signature? The argument for the watermark is weak considering its placement in the image, always to the side, away so as to not distract from the image. But it does anyway and I can crop the image and make it my own.
Do you do it to get recognised so people remember your name? Surely if the photograph was memorable in the first place people would remember the photographer who crafted it without the need to sign it? Can’t the photograph stand on its own merits and surely it is weakened by having your name there?
I’m asking the question and it would be enlightening to get an answer. Eight pages into google doesn’t give me one.
Filed under: photography | Tags: 25mm, 50mm, aperture, Bokeh, Canon, Depth of Field, f1.4, f2, Leica, lens, lenses, LightRoom, Olympus, Olympus E420, Panasonic Lumix, photography, portraits, Prime, prime lens, RAW, sharpness, testing
- Part One (Introduction)
- Part Two (Lenses and Test Info)
- Part Three (Olympus 17.5-45mm Kit lens)
- Part Four (Olympus 12-60mm Zuiko lens)
- Part Five (Panasonic/Leica 25mm lens)
- Part Six (Minimum focusing distance)
- Part Seven (Panasonic/Leica 25mm lens – DOF, Sharpness)
- Part Eight (Panasonic/Leica 25mm lens – aperture comparison images, f1.4 & f2)
- Part Nine (Conclusion)
Filed under: Uncategorized
The rest of this review will be uploaded some time tomorrow with a conclusion, I’m having image upload problems at the moment.
Filed under: Uncategorized | Tags: 12-60mm, 17.5-45mm, 25mm, focal length, Leica, lens, lenses, Olympus, Olympus E420
Minimum focusing distance
In this part I just wanted to quickly illustrate the minimum focusing distance with each lens using their highest aperture. I used a pencil as a guide, this is where the 2 zoom lenses shine in effect because their focusing distances are shorter than the Leica. The 12-60mm especially so.
Images with the 1A and 1B are related to the kit lens. Images with 2A and 2B are concerned with the Leica, images 3A, 3B, 4A and 4B are concerning the Zuiko 12-60mm.
- 1A
- 1B
- 2A
- 2B
- 3A
- 3B
- 4A
- 4B



































































